One unusual feature of this album is the contribution of Bernard McKinney’s euphonium, though it appears only on three tracks, and is played more in the role of a trombone. Art Davis fast-walking bass adds controlled propulsion. The presence of Shorter is a particular feature of this album: Shorter is on fire, McCoy Tyner is smoking, Elvin Jones is incendiary, and Freddie is smouldering. Hubbard is a confident leader, letting others shine. recorded Van Gelder Studio, Englewood Cliffs, NJ, August 21, 196, released April 1962.Ī varied set including a ballad, fast-paced bop, avant-leaning fire and brimstone, and mainstream mid-tempo. Selection: Areitis (Hubbard) – Youtube digital upload, vinyl rip to be added at later date, so you can compare □įreddie Hubbard, trumpet Bernard McKinney, euphonium Wayne Shorter, tenor sax McCoy Tyner, piano Art Davis, bass Elvin Jones, drums. Despite listing seventeen of Freddie titles at LJC, my favourite Blue Note trumpeter, Ready For Freddie was unintentionally overlooked, An omission no longer.
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